Leo Oppenheim 1964 Portrait
Oppenheim 1964 Mesopotamia
Ancient Mesopotamia. Portrait of a Dead Civilization,
Chicago: The University of Chicago Press
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ToC of Oppenheim 1964 Mesopotamia
Table of Contents |
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General topic(s) of the book |
Oppenheim's classic is an important starting point for any study of Mesopotamia. In the current context, we cite passages especially from his famous chapter entitled "Why a Mesopotamian Religion Should Not be Written". Tongue in cheek as the title is, there are important reasons to consider our data gravely insufficient for drawing most conclusions. Oppenheim puts us on guard against hasty interpretations. |
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Excerpts from Oppenheim 1964 Mesopotamia
NOTE: The notes in square brackets and in smaller font are by mDP.
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The birth of Assyriology
The birth of Assyriology | Introduction: Assyriology – Why and How? | It so happened that both events – the rediscovery of the world of ancient Egypt and the appearance of intriguing Mesopotamian wedge-writing on bricks, clay cylinders, stone slabs, and inaccessible mountain rocks – occurred at a propitious time. It happened at the moment when Western man was eager to step out of that magic circle, the field of energy that protects, preserves, and confines every civilization. At the end of the eighteenth century, Europe, the last of the great civilizations of a span of more than five millennia, had reached a convenient plateau before the upswing of technological, economic, and political developments produced the changes that have altered the course of human history. In that precarious interlude of collection and relaxation, Western man could suddenly perceive himself, his own civilization, and the civilizations around him. (...) The salient characteristic of all the ancient collections is the predominance of scholarly over literary texts, and, within the scholarly texts, the predominance of texts which Assyriologists call “omen texts.” Such omen collections consist of endless, systematically arranged, one-line entries, each describing a specific act, a well-defined event, the behavior or feature of an animal, a specific part of its body, or that of a plant or of a human being, or the movements of the stars, the moon and the sun, atmospheric events, and other observable details, of unbelievable variety. Each case is provided with a prediction that refers to the welfare of the country or to that of the individual with respect to whom – such is the basic assumption – the event happened, if it was not purposefully provoked to obtain information about the future. The library of Assurbanipal contained more than three hundred tablets, each holding eighty to two hundred entries of the nature just described. |
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Decline of the temple
Decline of the temple | Chapter II – Economic Facts | The steady decline of the influence of the temple from the middle of the second millennium, and the corresponding increase of land holdings in some kind of feudal tenure under royal charter, must likewise have brought about essential economic dislocations, just as did the increased role of capital in the last half of the first millennium in hands that seem to have been “private” within the customary limits of that term in the ancient Near East. Here the “banking house” of Murašû may furnish a case for such capital assuming the responsibilities held in the course of Mesopotamian history successively by village communities, the temples, and the palace, by investing in new land. |
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Unease about Idols
Unease about Idols | Chapter IV – The Care and Feeding of the Gods | It is typical of the Assyriologist’s culture-conditioned approach to Mesopotamian religion that the role and the function of the divine image in that civilization have never been considered important enough to merit a systematic scholarly investigation. (...) In fact, pro- and anti-iconic tendencies have often been instrumental in shaping trends and releasing events in the history of our culture. And they are far from dead now. They still linger in the scholar’s ambivalent attitude toward “idols” and taint his approach to all alien religions. This influence manifests itself, mainly, by subtly shifting emphasis from less acceptable manifestations of a foreign religiosity to those which we can more readily comprehend, or, at least, consider more acceptable in Western terms. (...) All the same, the manufacture of images of the gods seems to create a certain malaise in all the religions in which they have a cultic or sacred function, as is indicated by the frequent legends and pious tales that stress a miraculous origin for the more famous of these representations. (...) The Old Testament concept is best expressed by the burning of the offered food, a practice which had the purpose of transforming it from one dimension – that of physical existence – into another, in which the food became assimilable by the deity through its scent. Another difference that separates the sacrificial rituals in the two cultures is the “blood consciousness” of the West, its awareness of the magic power of blood, which is not paralleled in Mesopotamia. |
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Ignorance of data
Ignorance of data | Chapter II – The Social Texture | Of religious associations in Mesopotamia we know very little. The concerns which normally give rise to associations of this kind, namely the care for the souls of the dead by means of funerary offerings and rituals, and also the maintenance of specific cults in conflict with generally accepted forms of worship, are absent in Mesopotamian cities. |
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Relationship between man and god
Relationship between man and god | Chapter IV – Mesopotamian "Psychology" | The relationship of the individual to the deity represents a crucial area of inquiry for any investigation of religious concepts. We have already seen that this relationship in Mesopotamia is conceived of, on a social level, as that between master and slave, or parent and child, although the latter is referred to rarely and only in certain contexts. (...) Since the avenues of approach pointed out so far either fail to yield clear insight or cannot offer us sufficient material to elucidate the relationship between man and deity, I would like to present a new approach based on a study of the phraseology of prayer literature. When one searches through the prayers to establish the topical range of the entreaties addressed to the deity, one discovers a substantial set of requests, each alluding to a specific and very personal experience. This experience is characterized by a feeling of strength and security that is taken to result from the immediate presence of a supernatural power. (...) All this can readily be characterized as the expression of a psychological experience in mythological terms. To the student of comparative religion or the cultural anthropologist, the several “protective spirits” (to use the term customary in Assyriological literature) represent but another example of the widespread concept of multiple and external souls. |
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Mesopotamian ‘Psychology’
Good luck | Chapter IV – Mesopotamian "Psychology" | To experience a lucky stroke, to escape a danger, to have an easy and complete success, is expressed in Akkadian by saying that such a person has a “spirit,” i.e., an ilu, ištaru, lamassu, or šēdu. Most frequently mentioned in such assertions is ilu; one who has an ilu is what the Greeks term eudaimon (happy, lit. “having a good daimon”) and is called ilānû, literally, “one who has an ilu,” i.e., one who is lucky. |
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Myths
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Difference between polytheism and monotheism
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Prefatory note
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Prayer in Mesopotamia
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Rituals
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Social Stratification
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The meaning of Šimtu
The meaning of Šimtu | Chapter IV – Mesopotamian "Psychology" | Šimtu thus unites in one term the two dimensions of human existence: personality as an endowment and death as a fulfilment, in a way which the translations “fate” or “destiny” fail to render adequately. (...) “before the gods were given names and their respective šimtu [i.e., functions and assigned duties] were established.” (...) The šimtu, then, is the “nature” of these stones, and it is revealing that Latin natura renders Greek physis. (...) To die means to encounter fate, one’s own šimtu. |
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Is Tammuz a “type” of later gods?
Is Tammuz a "type" of later gods? | Chapter IV – The Care and Feeding of the Gods | Among the lesser gods, Nergal and Tammuz (Dumuzi) should be mentioned as atypical. The former was not only the city god of Cutha in central Babylonia, but also considered, together with his spouse Ereškigal, “lady of the underworld,” as the ruler of the realm of the dead and source of plague. Tammuz represents a divine figure sui generis – a god whose death and disappearance it was customary to mourn in solemn lamentations in certain strata of the early Mesopotamian population. His fate is the topic of an important body of Sumerian religious texts, and it remains a moot though often discussed point in what respect he should or can be related to certain divinities of later Semitic religions. |
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Why a Mesopotamian Religion Should Not Be Written
Ignorance | Chapter IV – Why a Mesopotamian Religion Should Not Be Written | As a general statement covering the underlying problem, let me present some of the reasons that have convinced me that a systematic presentation of Mesopotamian religion cannot and should not be written. (...) The immense ruins of the temple towers of the large cities, especially of southern Mesopotamia, not only made Babylonia famous but, to a large extent, have helped to maintain the fame of its civilization. Yet even today – and this I offer as a warning – we do not know the purpose of these edifices. (...) Form, function, and creative elaboration, the three inevitable variables of each feature, have to be traced painstakingly in every instance. The most exacting examination of material remains of a civilization as dead and removed as that of Mesopotamia, with its written evidence so difficult of understanding, does not and cannot yield results that allow us better to understand the function and meaning of the buildings. And yet this effort is sometimes made, and a scholarly literature has evolved that derives conclusions from, for example, the emplacement [for the concept of "emplacement", see CAR and The Grammar] of the image with regard to the axis of the cella and the doors, from the orientation of the sanctuary, and from other features of the buildings. |