Notes to Chapter 3. Structural analysis

Giorgio Buccellati – August 2023

General notes on Chapter 3
3.1 Reappropriation of values
3.2 Formal analysis
3.3 Structural analysis
3.4 Voice and perception
3.5 Voice: sequence of the action
      3.5.1 The linear dimension
      3.5.2 Songs, stanzas and strophes
      3.5.3 Relationship to dynamic and perception
3.6 Voice: dynamic of the action
      3.6.1 The supra-linear dimension
      3.6.2 Grammatical level
      3.6.3 Semantic level
      3.6.4 Compositive/resiologic level
      3.6.5 Voice as a whole
      3.6.6 Compositional mechanisms
3.7 Perception
      3.7.1 The concept of perception
      3.7.2 The inner agent
      3.7.3 The hermeneutical risk
3.8 Registers of expression
      3.8.1 The concept of register of expression
      3.8.2 Registers at the creative level
      3.8.3 Registers at the user level
      3.8.4 The performative level
3.9 The great themes
      3.9.1 The centrality of some interests
      3.9.2 The civilization
      3.9.3 The relationship to the absolute
      3.9.4 The articulation of the reality
3.10 Hermeneutics
3.11 The experience
3.12 The style
3.13 The "literary genres"
      3.13.1 Extrinsecism and validation
      3.13.2 Relationships within the text
      3.13.3 Relationships outside the text
3.14 Culture and spontaneity
      3.14.1 Crystallization of the ways of awareness
      3.14.2 The dynamic of the emotive dimension
      3.14.3 Crystallization and literature
      3.14.4 "Classicism"
      3.14.5 Expressionism
3.15 The limits of the analysis

ERRORS in databases:

"Boson1918Assiriologia.d": duplicate bibliography "Boson1918Assiriologia" for site "Akk-lg".
"Bottero1992Reasoning.d": duplicate bibliography "Bottero1992Reasoning" for site "Mes-rel".
"Buccellati1972Teodicea.d": duplicate bibliography "Buccellati1972Teodicea" for site "Mes-lit".
"Cauvin2000Birth.d": duplicate bibliography "Cauvin2000Birth" for site "Mes-rel".
"DMB.d": duplicate bibliography "DMB" for site "Mes-rel".
"Edzard2003Sumerian.d": duplicate bibliography "Edzard2003Sumerian" for site "Mes-rel".
"Oshima2014Sufferers.d": duplicate bibliography "Oshima2014Sufferers" for site "Mes-rel".
"Trinkaus1983Shanidar.d": duplicate bibliography "Trinkaus1983Shanidar" for site "Mes-rel".

General notes on Chapter 3

References: Reiner 1978 Literatur; Buccellati 1981 Principles; Foster 1983 Self Reference; Reiner1985Thwarts; Buccellati 1990 Poetry.
– [ Giorgio Buccellati, January 2022]

3.1 Reappropriation of values

For the notion of a broken tradition, see Buccellati 2017 C A R. Cf. Abusch 2015 Gilgamesh.
– [ Giorgio Buccellati, January 2022]

3.2 Formal analysis

See Reiner 1978 Literatur. On intuition and sensibility, see Jacobsen, Oppenheim (Sargon’s campaign), and Michalowski. On “tematica”, see Holton in Holly. Anthologies: see Foster. Produce an excursus on the history of sensitivity. Semiotic clusters: see Urkesh ethnicity. Russian formalists. See introduction to Ludlul.
– [ Giorgio Buccellati, January 2022]

3.3 Structural analysis

On formal analysis, see Foster, Reiner. For rhetorical analysis in the Bible see Paximadi 2004 Dimorerò, and the theme Rhetorical analysis; [gB - March 2019].
– [ Giorgio Buccellati, January 2022]

3.4 Voice and perception

For the twin notions of form and content, see Orvieto 2015 De Sanctis.
– [ Giorgio Buccellati, January 2022]

3.5 Voice: sequence of the action

Formal analysis: sepcial section in Buccellati 2017 C A R; refer to authors like Panofsky (synopsis), Holly.
– [ Giorgio Buccellati, January 2022]
Make reference to Buccellati 1996 Grammar.
– [ Giorgio Buccellati, January 2022]

3.5.3 Relationship to dynamic and perception

“Resiologia”: see my paper.
– [ Giorgio Buccellati, January 2022]

3.6.5 Voice as a whole

“Resiologia”: see my paper.
– [ Giorgio Buccellati, January 2022]

3.7 Perception

See the three levels of Panofsky; and see Holly.
– [ Giorgio Buccellati, January 2022]

3.11 The experience

For semiotic criteria refer to Buccellati 2017 C A R. See also Lenzi 2015 Gates.
– [ Giorgio Buccellati, January 2022]

3.12 The style

See Dilthey in Holly.
– [ Giorgio Buccellati, January 2022]
See Woelfllin etc.
– [ Giorgio Buccellati, January 2022]

3.15 The limits of the analysis

The study of emotive aspects in literature has developed especially within the context of medieval studies. I use here the concept in a broader sense than is the case in these studies. I have used the following: Rosenwein 1998 Anger; Rikhardsdottir 2005 Bound; Rosenwein 2006 Emotional; Rikhardsdottir 2015 Translating; Rosenwein 2015 Feeling (History of Emotions).
– [ Giorgio Buccellati, January 2022]