19.1 Action and charatcters, factuality and idealization
19.2 Epics as idealization of history
19.3 The city as the focal point
19.4 Epic memory
19.5 The heroic dimension of the protagonists
19.6 Folkloric elements
19.7 Formative processes
19.7.1 Organic fusion of separate episodes
19.7.2 Dramatic extension
19.7.3 School creativity
19.7.4 The pinnacle of the formative process: the First Gilgamesh
19.8 Compositional structures
19.9 Literary analysis
ERRORS in databases:
- "Boson1918Assiriologia.d": duplicate bibliography "Boson1918Assiriologia" for site "Akk-lg".
- "Bottero1992Reasoning.d": duplicate bibliography "Bottero1992Reasoning" for site "Mes-rel".
- "Buccellati1972Teodicea.d": duplicate bibliography "Buccellati1972Teodicea" for site "Mes-lit".
- "Cauvin2000Birth.d": duplicate bibliography "Cauvin2000Birth" for site "Mes-rel".
- "DMB.d": duplicate bibliography "DMB" for site "Mes-rel".
- "Edzard2003Sumerian.d": duplicate bibliography "Edzard2003Sumerian" for site "Mes-rel".
- "Oshima2014Sufferers.d": duplicate bibliography "Oshima2014Sufferers" for site "Mes-rel".
- "Trinkaus1983Shanidar.d": duplicate bibliography "Trinkaus1983Shanidar" for site "Mes-rel".
19.2 Epics as idealization of history
On the notion of face-to-face association and the urban revolution see Buccellati 2013 Origins. For a modern view of a planet completely destroyed by an ouside source (the “Crystaline entity”) see Star Trek, episode#.
– [ Giorgio Buccellati, January 2022]